Beamer X21

First: I give up — The Beamer is gonna be the name.

Second: In addition to the Nasty/Nice channel switch & LED, the new schematics include circuitry for this IN-13 linear indicator tube I’ve always wanted to use:

IN-13

The active length (between the two red lines) is 4 inches, so it should look great if I can come up with a good way to mount it (horizontally). The schematic currently has it getting the signal after the Master volume, but I’m thinking it’ll probably end up tapping the signal just before that pot, so it’s not boring at low volumes.

https://www.youtube.com/watch?v=wG2OKaJdsFU shows 10 of them used on a spectrum analyzer.

The spec for the IN-13 has me thinking a standby switch is probabaly the simplest way to (mostly) adhere to the startup recommendations, so that’s back in.

I haven’t done any detailed layout yet, but I have decided that – for both electrical layout and control clarity reasons – it will be best to place the input jack between the Nasty & Nice volume controls. I’m also planning on using different/larger knobs for the Nasty, Nice and Master volumes:

Drive Tone NASTY jack NICE Bass Treble MASTER lamp

The red LED will go above the Nasty knob, and the channel switch will go above the input jack.

Schematics on the Beamer page…

Working Title: The Beamer

I’m not crazy about “Beamer” as an amp name (derived from the push-pull 6BM8 design), but that’s all I’ve got. Suggestions are welcome!

The more I look through my schematics & notes from 15 years ago, the more I realize that my Beamer project really wants to be a stripped-down Verberator II: no reverb or tremolo (we have boxes & software for that these days), just a wide tonal range, from clean to dirty.

Today I dug out my old Verberator II prototype (grrrr: link not working) chassis and immediately realized that I’d already done much of the work toward a Beamer. I suspect I gave up on it (and amp building) because the tremolo was more than I could master. With all the crazy shit you can do with software these days, it makes sense to leave that to post-production and concentrate on the core function (TONE) with electric guitars. So we’re talking about a gain pot, a foot-switchable ‘boost’ stage, and a master volume, with one or two tone stacks (or single-pot controls).

The rest is left as an exercise for the builder…