Field recordings can be interesting all by themselves, or even useful (e.g., bird calls), but my main interest is in using them in musical compositions (FYI, my definition of ‘musical’ is quite inclusive).
Chemo Dream No. 1 is an example of a musical use that I first had the idea for more than a year ago, but I’ve only recently acquired & sorted enough field recordings to get the effect I was looking for:
My amp building has been on hold for the last 9 years in deference to mentally exhausting day gig work (and the loss of a good space for electric playing, and back trouble, and . . . ), so I’ve been playing instead of building.
I’m lucky to have a circle of musician friends that get together in various acoustic groupings about twice a month, but about half of them only ever play 6-string guitar. The music starts to get crowded when more than 4-5 players show up, so some of us have picked up alternate instruments.
Brer Stevo has always had the mandolin & banjo covered, and he and Spock are both better bass players than I am, so I’ve mostly settled on 8-string squareneck reso (in G6) and melodica. I recently picked up a baritone acoustic guitar that I’m also trying to work into the mix.
Alone at home, I’ve been playing with SONAR and some soft synths to feed my electronic music and recording interest. I also have both tenor and soprano saxes, but they get the least use of all these days (too loud for acoustic jams!).
So I’ve been busy enough, but not in any focused way.
I don’t expect to get very focused until I can finally get off the full time work treadmill (some time in the next two years), but I’m looking forward to getting serious about songwriting/composition when I do. I should also have plenty of time to work on my ideal studio amp, too.